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FLASHBACKS

REMEMBER MY COWBOY PERIOD?

In 1976 Bill became a Park Ranger and we went to live rurally and remotely in the Alberta foothills ~ ranch country.  The late Helen Wilson, an artist herself, former neighbour and good friend made me welcome, showed me her way of life and taught me much.  Watching a calf being born, attending brandings and observing the ways of the cowboy were new, fascinating experiences for this city girl.  Helen, her family and livestock provided the reference material for and featured in many of the western paintings I was inspired to create as a result of our five year stay at Chain Lakes Provincial Park, west of Nanton, Alberta.


'Bread Stuffing' Helen Wilson    1984 oil 16" x 20"

I entered my first two western paintings to the Calgary 1984
Stockmen's Foundation Art Show.  Peek-a-Boo was awarded best watercolour. 

please on click thumbnails to enlarge
  

Spring Delight 20x16.JPG (166596 bytes)

Peek-a-Boo 16x20.JPG (266853 bytes)

Spring Delight
1983 oil
20" x 16"
SOLD

Peek-a-Boo
1983 watercolour
16" x 20"
SOLD

   Jackie Chalmers, former owner of Trails West Galleries, and still a close friend today,
took my art to the first of three consecutive Calgary Stampede Western Art Shows.
In her Calgary gallery Jackie hosted my first solo show in November, 1988.
 

With Jackie, at the Stampede, July, 1986

R-Scar 24x36.JPG (219393 bytes)

Who's Next 13.5x18.JPG (198143 bytes)

Smoky at the Branding 14.5x19.5.JPG (174305 bytes)

Calves by the Creek 16x20.JPG (228599 bytes)

R-Scar
1985 oil
24" x 36"
NFS

Who's Next
1986 watercolour 
13.5" x 18"
SOLD

Smoky at the Branding
1987 watercolour
14.5" x 19.5"
SOLD

Calves by the Creek
1987oil
16" x 20"
SOLD

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PLEIN AIR PAINTING
 

For twenty-five years I had been, exclusively, a studio painter.  On September 26th, 1990 I ventured outdoors, walked the short trail to Grassi Lakes, set up and painted this oil in three hours.  Back at home I was appalled at it's abstracted simplicity.  I didn't like it.  I buried it in a closet where I wouldn't have to look at it, I had sufficiently scared myself.  It was June, 1992, before I got up the courage to go back out into the field again.  Since then, I have come to love this painting and the richness that working plein air brings to all of my art.



MYSTERIOUS DEPTHS
Grassi Lakes #1
1990  oil  12" x 16"
NFS

please on click thumbnails to enlarge

Lady of the Lake 24x40 1991.JPG (284118 bytes)
Lady of the Lake
1991  oil   24" x 40" 
NFS

Grassi 8 1992.JPG (362557 bytes)
Grassi Lakes #8
1992 plein air oil   12" x 16"
SOLD

Fireweed at Grassi 4x6ft 1997.JPG (321924 bytes)
Fireweed at Grassi Lakes
1997 oil   4 x 6 feet
SOLD

Eventually, that first Grassi painting set off a series.  Many times I returned to paint at the
lakes and I also created several studio paintings, culminating in a 4 x 6 foot canvas.  
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GOING BIG : THE CARIBOU COMMISSION

Caribou study 1993 15x21.JPG (369590 bytes)

Caribou 1993 5x7ft.JPG (387730 bytes)

Caribou in lobby 1993.JPG (363751 bytes)

the original study
1993  oil  15" x 21"  NFS

signing the finished painting
1993  oil  5 x 7  feet

installed in the lobby of the
Banff Caribou Lodge

It was the Caribou that prompted me to work on larger canvases.  Early in 1993, with great trepidation,
I accepted a commission to paint it ... at 5x7 feet.  I had never painted anything that big before.
I was surprised to find the only real difficulty was having to continually alter the painting, to please
the designer whose primary concern was that it match the lobby decor.  Amazed at how exhilarating
it is to work at such a large scale, I began to imagine my next large canvas.
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INSPIRED BY THE COLUMBIA ICEFIELD



at The Banff Centre Leighton Studios working on 
SOMEWHERE to ANYWHERE
Mount Athabasca ~ Mount Andromeda
1994  oil diptych  two canvases totaling  4 x 12 feet   
purchased by The Alberta Energy Company, Calgary


Over seven years I enjoyed eight stays at the Ice Palace (staff residence) compliments of Brewster Transportation and Tours.  The week-long gifts are available to artists, scientists and students of the environment.  My complete fascination with Mount Athabasca is what drove me to believe that even I could summit a mountain.  Once divulged to Bill, my wish was arranged.  In July 1994 we took the standard route.  The elevation gain was 5000 feet (1524 meters).  Twelve hours later we arrived back at where we had begun.  Elated and totally exhausted I looked up at Athabasca and noticed how the mountain appeared utterly unchanged and was gripped with the sense that I would never be the same.  But wait, we went again, this time with our daughter Denise.  In August 1997 she was dating a guide who took us up the face of the Silverhorn, the meringue-shaped point to the right of the actual summit.  Picturing the entire family on the summit, I have this desire to go up once more, this time to include Laura, Adam and Larry.

True, I paint Mount Athabasca over and over, but I do depict other Icefield area scenes as well ...

Cavell Pond 12x24 1995.JPG (250222 bytes)

Mount Athabasca 36  24x18.JPG (244828 bytes)

Dome & Kitchener 20x36 2001.JPG (153749 bytes)

The Cavell Pond, 
at the base of Mount Edith Cavell
1995  oil  12" x 24"  NFS

Mount Athabasca # 36
2006  oil  24" x 18"
SOLD

Dome Glacier and Mount Kitchener
2001  oil  20" x 36"
SOLD

please on click thumbnails to enlarge