HOME
=
THE ARTIST =
PAINTINGS
=
BLOG =
GALLERY SHOWS =
FLASHBACKS
=
SPECIAL PROJECTS =
REPRODUCTIONS
=
CONTACT
US
FLASHBACKS
REMEMBER MY COWBOY PERIOD?
In
1976 Bill became a Park Ranger and we went to live rurally and remotely
in the Alberta foothills ~ ranch country. The late Helen Wilson,
an artist herself, former neighbour and good friend made me welcome,
showed me her way of life and taught me much. Watching a calf
being born, attending brandings and observing the ways of the cowboy
were new, fascinating experiences for this city girl. Helen, her
family and livestock provided the reference material for and featured in
many of the western paintings I was inspired to create as a result of
our five year stay at Chain Lakes Provincial Park, west of Nanton,
Alberta. |

'Bread Stuffing' Helen Wilson 1984 oil 16" x
20"
|
I entered my
first two western paintings to the Calgary 1984
Stockmen's Foundation
Art Show. Peek-a-Boo was awarded best watercolour.
please on click thumbnails to enlarge

|

|
|
Spring Delight
1983 oil
20" x 16"
SOLD |
Peek-a-Boo
1983
watercolour
16" x 20"
SOLD |
Jackie Chalmers, former owner of
Trails West Galleries, and still a close friend today,
took my art to the first of three consecutive
Calgary Stampede Western Art Shows.
In her Calgary gallery Jackie hosted my first solo show in November, 1988.

With Jackie, at the Stampede, July, 1986
|

|

|

|

|
|
R-Scar
1985 oil
24" x 36"
NFS |
Who's Next
1986 watercolour
13.5" x 18"
SOLD |
Smoky at the Branding
1987
watercolour
14.5" x 19.5"
SOLD |
Calves by the Creek
1987oil
16" x 20"
SOLD |
______________________________________________________________________________________________________
PLEIN AIR PAINTING
|
For twenty-five years I had been,
exclusively, a studio painter. On September 26th, 1990 I ventured
outdoors, walked the short trail to Grassi Lakes, set up and painted
this oil in three hours. Back at home I was appalled at it's
abstracted simplicity. I didn't like it. I buried it in a
closet where I wouldn't have to look at it, I had sufficiently scared
myself. It was June, 1992, before I got up the courage to go back
out into the field again. Since then, I have come to love this
painting and the richness that working plein air brings to all of my
art.
|
|

MYSTERIOUS DEPTHS
Grassi Lakes #1
1990 oil 12" x 16"
NFS
|
please on click thumbnails to enlarge

Lady of the Lake
1991 oil 24" x 40"
NFS
|
Grassi Lakes #8
1992 plein air oil 12" x 16"
SOLD |

Fireweed at Grassi Lakes
1997 oil 4 x 6 feet
SOLD
|
Eventually, that first
Grassi painting set off a series. Many times I returned to paint at the
lakes and I also
created several studio paintings, culminating in a 4 x 6 foot canvas.
______________________________________________________________________________________________________
GOING BIG : THE CARIBOU COMMISSION
|
|
|

|
|
the original study
1993
oil 15" x 21" NFS |
signing the finished painting
1993
oil 5 x 7 feet |
installed in the lobby of the
Banff Caribou Lodge |
It was the Caribou that prompted me to work on
larger canvases. Early in 1993, with great trepidation,
I
accepted a commission to paint it ... at 5x7 feet. I had never
painted anything that big before.
I was surprised to find the only real difficulty
was
having to
continually alter the painting,
to please
the designer whose primary concern was that it match the lobby decor. Amazed at how exhilarating
it is to work at such a large
scale,
I began to
imagine
my next large
canvas.
________________________________________________________________________________________________________
INSPIRED BY THE COLUMBIA ICEFIELD
|

at The Banff Centre Leighton Studios working on
SOMEWHERE to ANYWHERE
Mount Athabasca ~ Mount Andromeda
1994 oil diptych two canvases totaling 4 x 12 feet
purchased by The Alberta Energy Company, Calgary
|
|
Over seven years I enjoyed eight stays
at the Ice Palace (staff residence) compliments of Brewster
Transportation and Tours. The week-long gifts are available to
artists, scientists and students of the environment. My complete
fascination with Mount Athabasca is what drove me to believe that even I
could summit a mountain. Once divulged to Bill, my wish was
arranged. In July 1994 we took the standard route. The elevation gain was 5000 feet (1524 meters).
Twelve hours later we arrived back at where we had begun. Elated
and totally exhausted I looked up at Athabasca and noticed how the
mountain appeared utterly unchanged and was gripped with the sense that
I would never be the same. But wait, we went again, this time with
our daughter Denise. In August 1997 she was dating a guide who
took us up the face of the Silverhorn, the meringue-shaped point to
the right of the actual summit. Picturing the entire family on the
summit, I have this desire to go up once more, this time to include
Laura, Adam and Larry.
|
True, I paint Mount Athabasca over and over, but I
do depict other Icefield area scenes as well ...

|

|

|
The Cavell Pond,
at the base of Mount Edith Cavell
1995 oil 12" x 24" NFS |
Mount Athabasca # 36
2006 oil 24" x 18"
SOLD
|
Dome Glacier and Mount Kitchener
2001 oil 20" x 36"
SOLD
|
please on click thumbnails to enlarge